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[edit] Archiblog's articles on Designing Buildings


[edit] TEMPORARY TALK - PLACEHOLDER FOR ARTICLE ON ARCHITECTURE

Item 26436.png

• Collage of covers from Cedric Price Works 1952–2003: A Forward-Minded Retrospective. Source: CCA / Architectural Association



Item 26368 - Wotton translation.png • Page from Sir Henry Wotton's translation of "De architectura," published in 1624

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[edit] Abstract[edit]

'De architectura', written by the Roman architect Vitruvius around 30–20 BC, is considered the earliest known treatise on architecture.

The initial purpose of this article is:—

  • to give due acknowledgement to Vitruvius’ original conception of architecture – i.e firmness, commodity and delight.

However, this article assumes:—

The ultimate purpose of this article is therefore:—

  • to establish a valid new ordering.

[edit] Synopsis (or abstract-level summary):

  • Functions as a self-contained precis of the entire thesis.
  • Presents the core argument, methodology, scope, and findings in condensed form.
  • It’s what a reader (or examiner) could use to grasp the essence of your research without reading the full document.
  • Typically 300–800 words, depending on institutional format.
Central research question ...from Vitruvius to CP and beyond

Theoretical premise or hypothesis

In 1996, Cedric Price wrote:—

  • "To establish a valid equation between contemporary social aspirations and architecture it is essential to add to the latter doubt, delight and change as design criteria."

  • According to the Canadian Centre for Architecture:—
  • "(Cedric Price) worked from the premise that in order to establish a valid equation between contemporary social aspirations and architecture, it is essential to add to the latter "Doubt, Delight, and Change," as design criteria."

A theoretical premise is a foundational idea or proposition that serves as the basis for a theory or argument. It is assumed to be true and is used to support further reasoning or conclusions.

[edit] Definition of Theoretical Premise

A theoretical premise is a foundational idea or proposition that serves as the basis for a theory or argument. It is assumed to be true and is used to support further reasoning or conclusions.

[edit] Characteristics of Theoretical Premises

[edit] Nature of Premises

  • Propositional: A theoretical premise is a declarative statement that can be true or false.
  • Supportive Role: It provides the groundwork for developing arguments or theories.

[edit] Importance in Arguments

  • Validity: An argument is valid if the conclusion logically follows from the premises.
  • Soundness: An argument is sound if it is valid and all its premises are true.

[edit] Examples of Theoretical Premises

[edit] Common Usage

  • Syllogism: In a classic example, "All men are mortal" and "Socrates is a man" are premises leading to the conclusion "Socrates is mortal."
  • Assumptions in Research: A research project may start with the premise that "all humans have basic needs," guiding its hypotheses and conclusions.

[edit] Implicit Premises

  • Sometimes, premises are not explicitly stated but are understood. For instance, in the argument about human equality, the underlying premise is that "all men are created equal."

Understanding theoretical premises is crucial for evaluating the strength and validity of arguments in various fields, including philosophy, science, and logic.

Methods or analytical framework

modus operandi was to question.

Key case studies or material (e.g., IFCCA entries)
Core findings or conclusions
Contribution to architectural knowledge

Synopsis might include:

  1. Central research question
  2. Theoretical premise or hypothesis
  3. Methods or analytical framework
  4. Key case studies or material (e.g., IFCCA entries)
  5. Core findings or conclusions
  6. Contribution to architectural knowledge

In 1996, Cedric Price wrote:—

"To establish a valid equation between contemporary social aspirations and architecture it is essential to add to the latter doubt, delight and change as design criteria." According to the Canadian Centre for Architecture:—

modus operandi - to question

Notes

A thesis synopsis is a concise summary of your research proposal. It serves as a roadmap for your study and typically includes:

  1. Title: A clear and engaging title for your research.
  2. Introduction: Briefly introduce the topic and its significance.
  3. Research Question: Clearly state the main question your research aims to address.
  4. Objectives: Outline the goals of your research.
  5. Methodology: Provide a rough idea of your research methods.
  6. Literature Review: Summarize existing studies and identify gaps your research will fill.
Aspect
Purpose Summarizes the research proposal
Length Shorter, typically a few pages
Content Focus Overview of the entire research plan

[edit] Introduction (first chapter):

Introduction might include:

  1. Context and motivation (why this topic, why now)
  2. Definition of key terms (e.g., “progressing architecture”, “adaptive environments”)
  3. Literature and precedent review (evolution of discourse since 1972)
  4. Identification of the research gap
  5. Research questions and objectives
  6. Methodological positioning (comparative, historical, theoretical)
  7. Thesis structure overview (how the argument unfolds)

Notes

The introduction of a thesis sets the stage for your research. It should include:

  1. Context: Introduce the research field and explain its importance.
  2. Problem Statement: Clearly define the research problem or gap.
  3. Significance: Highlight the potential impact of your study.
  4. Objectives: Share your research goals and expected outcomes.
  5. Thesis Structure: Provide a roadmap of the chapters to follow.
Aspect
Purpose Introduces the research and its context
Length Longer, often 8-10% of total thesis length
Content Focus Detailed context and specific research focus

The oldest surviving thesis on architecture appears to have been written over 2000 years ago, namely:—

This thesis ...

  • ... that Vitruvius' thesis is out of date.

In De architecture, written in the first century BC, Vitruvius framed architecture around three principles, namely:—

  1. Firmitas (strength, stability)
  2. Utilitas (function, usefulness)
  3. Venustas (beauty, delight)

This article evidence

  • .. that Vitruvius' ordering ...

In Time ... , given in 2001, Cedric Price acknowledged Vitruvius' definition of architecture as "firmnness, commodity and delight".

However,

Thus this article argues:—

  • ... that Vitruvius (1st century BCE) and Cedric Price (20th century CE) bookend a paradigm shift in architectural thinking.

If so, then the (research) question is:—

  • What comes next?

[edit] Vitruvian Ordering[edit]

Vitruvius in De Architectura frames architecture around three famous principles:

  • Firmitas (strength, stability)
  • Utilitas (function, usefulness)
  • Venustas (beauty, delight)

But beyond that triplet, his notion of ordinatio and dispositio refers to proportion, arrangement, and harmony — architecture as an art of ordering form, material, and function into a coherent, legible system. It’s classical ordering:—

Item 26447.png

• Reconstruction - view of interior

Item 26444.jpg• Ground Plan Item 26446.jpg• Section on Long Axis Item 26445.jpg• Section on Short Axis

• Table showing drawings of Vitruvius' Basilica at Fano. Source: Russell Taylor

[edit] Leon Battista Alberti

According to Alberti:—

  • "It is the task and aim of concinnitas to compose parts that are quite separate from each other by their nature, according to some precise rule, so that they correspond to one another in appearance."

Item 26448 The Archtitecture of Leon Battista Alberti title page.png

• English title page of the first edition of Giacomo Leoni's translation of Alberti's De Re Aedificatoria (1452). Source: Heidelberg University

Item 26455.jpg

• Drawings of San Sebastiano, Mantua, Italy. Source: Marco Introini

Item 26451.jpgItem 26453.jpg

• Gallery of Marco Introini's photographs of San Sebastiano, Mantua, Italy.

Item 26452.jpgItem 26454.jpg

• Table indicating influence of Vitruvius on Leon Battista Alberti in the 15th century

[edit] Palladio

Item 26456 Palladio Titel 1642.jpg• Front page of I quattro libri dell'architettura (The Four Books of Architecture) (1642 edition). Source: Manfred Brückels Item 26457.png• Drawings of Villa Capra, Vicenza, Italy. Source: Banister Fletcher Item 26460 Villa-Rotonda-palladio.pngItem 26461 Villa-Rotonda-palladio.png• Gallery of Atelier XYZ's photographs of Villa Capra, Vicenza, Italy. Item 26470 Church-of-San-Giorgio-Maggiore-Venice-Andrea-1610.pngItem 26471 Church-of-San-Giorgio-Maggiore-Venice-Andrea-1610.jpeg• Church-of-San-Giorgio-Maggiore-Venice-Andrea Palladio. Sources: Theubald (top); Didier Descouens (bottom)

• Table indicating influence of Vitruvius on Andrea Palladio in the 16th century

[edit] Inigo Jones

"(Inigo Jones) the first to employ Vitruvian rules of proportion and symmetry in his buildings." Can you find a reliable source for this claim?

Item 26462 Palladio-detail by Inigo Jones.jpg• Andrea Palladio was one of Jones’s most important sources. This 1601 edition of Palladio’s Quattro libri di architettura shows Jones reconstructing the proportional design methods used in the domed temple of Minerva Medica in Rome, referred to by Palladio as ‘Le Galluce’. Jones was evidently attracted to the complexity and internal harmony of the plan, which is formed from concentric and interlocking circles. He used his dividers to seek out the principal ratios and then pricked the scored arcs with his pen, to create dotted outlines. 30: Worcester College, Oxford Item 26467 jones-palladio-edited.jpg• Pages from Inigo Jones’s copy of Andrea Palladio’s I Quattri libri dell’architettura, 1601, with annotations by Inigo Jones (Worcester College, Oxford)

Item 26465 Jones St Paul's Covent Garden.jpg• St Paul's Covent Garden. Source: Matt Brown

Item 26466 Jones Banqueting House.jpg• The Banqueting House, Whitehall, 1619–22 (photo: Steven Zucker, CC BY-NC-SA 2.0)

Item 26473 Rolls Chapel.jpg• Rolls Chapel and Rolls House, now part of Maughan Library, King's College London. Source: Paravene

[edit] Christopher Wren

According to Parentalia (1750):—

  • “About the thirtieth year of his age he turned his studies to Architecture; and, taking Vitruvius for his guide, together with the designs of Inigo Jones, he soon made himself a master of that noble science.”

Item 26472 Pembroke Chapel.jpeg

• The Chapel of Pembroke College, Cambridge, England, seen from the east. Source: Steve Cadman

According to Pembroke College:—

"The Chapel is not only Christopher Wren’s first work, but almost the first English church or chapel in the Classical style, preceded only by Inigo Jones’s church of St Paul, Covent Garden, now rebuilt after a fire in 1795." [*}

Item 26464 Wren-St-Pauls.pngItem 26463 Wren-St-Pauls.png

• St Paul's Cathedral. Source: The Warden and Fellows of All Souls College, Oxfrord

[edit] Pricean Ordering[edit]

Price’s architecture resists permanence and hierarchy. His ordering often reflects:

[edit] Fun Palace

Item 26478 400594 FP Brief.jpg• Architectural brief. Source: CPA/CCAItem 26479 419956.jpg• Sundry notes. Source: CPA/CCA

Read the notes in full

Item 26480 400587 A Laboratory of Fun.jpg• Article by Joan Littlewood. Source: New Scientist

Item 26475 310145 Banham.jpg• Copy of the original article “People’s Palaces” by Reyner Banham, New Statesman, 7 August 1964. Source: CCA

Item 26476 309711 Fun Palace.jpg• Axonometric view of interior. Source: Cedric PriceItem 13336 309711.png• Diagrammatic section: Source: Cedric PriceItem 26477 309835 Fun Palace.jpg• Typical plan. Source: CPA/CCA Item 26468 400630.jpgItem 26469 funpalacemodel-c-cca.jpg• Views of mode. Source: CPA/CCAItem 26474 310199 Fun Palace.jpg• Helicopter view. Source: CPA/CCA

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[edit] Potteries Thinkbelt

Item 25346 - 0.1 Title Page.png

• Facsimile. Source: Norman Fellows fonds, courtesy of CCA

Read the full report

Item 25193 - NS cover.png• Facsimile. Source: Norman Fellows fonds

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Item 25591.png• Facsimile. Source: Norman Fellows fonds

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Item 25538.png• Map of the PTb showing main routes, transfer, faculty and housing areas—Reproduced from GitHub. Source: Norman Fellows fonds

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Finding Aid. Source: Norman Fellows fonds, courtesy of CCA

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[edit] Atom

Item 17985 443788.jpg• 'Textual records from the Atom file at the CCA'

Read in full

Item 23587.png

Item 23588.png• 'Facsimiles of ATOM spreads designed by Cedric Price'

Item 23591 - Diagrammatic plan of new town.png• Facsimile of 'Diagrammatic plan of new town with typical links...' designed by Cedric Price

Item 23590 - Glossary of educational facilities.png• Facsimile of 'Glossary of educational facilities'

Item 17713.jpg• Life Conditioner Box. Source: CPA/CCA

Item 17764.png• Life Conditioner Tent. Source: CPA/CCA

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[edit] Housing Research

Item 18766.pngItem 18767.png• 24 hour Living Toy. Source: CPA/Norman Fellows fonds Item 21929 51726217604 o.png• Expediency. Source: CPA/Norman Fellows fonds Item 21722 - 440215.jpg• Axonometric for housing unit. Source: CPA/CCA Item 18919 - 440219.jpgItem 18918 - 440218.jpg• Views of models for a prefabricated house. Source: CPA/CCA

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[edit] Inter-Action

Item 08051 - Inter-Action Centre.jpg• Inter-Action Centre. Source: CPA/ Architectural Review, January 1973. Item 26520.jpg• Elevations and sections. Source: CPA/CCAItem 26517.jpg• Plans. Source: CPA/CCA

Item 26509.jpg• Site plan. Source: CPA/CCA

Item 26545.jpg• Exterior view of Inter-Action Centre showing a temporary fair. Source: CPA/CCA

Item 26544.jpg• Installation of a cabin. Source: CPA/CCAItem 26532.jpg• Aerial view. Source: CPA/CCA

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[edit] Generator

Item 26547 Generator - page 1 of 2 copy.jpg

• Generator. Source: CPA/ Architectural Review, January 1980.

Item 26548 Generator - page 2 of 2 copy.jpg Item 24236 - 394638.jpg• View of model. Source: CPA/CCA

Item 24237 - 394644.jpg

• Views of models for cubes. Source: CPA/CCA

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[edit] Magnet

  • "Magnets are located in and around Central London and invest city movement not only with convenience and interest but also Delight." [*]

Item 26482 Anticipating the unexpected.png • "Anticipating the unexpected". Source: CPA/the Architects' Journal

Read the full article

Item 26373.jpg• Arch, Thurrock Lakeside (top), Platform, St Giles Circus (bottom). Source: CPA/the Architects' Journal

Item 26505.png• Covent Garden, Soho Square, Burgess Park, Milton Keynes. p.32 Source: CPA/the Architects' Journal

Item 26501.png• Annotated sketches, p.38 Source: CPA/the Architects' Journal

Item 26506.png• Stratford Box, Regent's Park, North Circular Road. p.33 Source: CPA/the Architects' Journal Item 26502.png• Annotated sketch and model, p.39 Source: CPA/the Architects' Journal

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[edit] IFPRI

Item 20944 - 443620.jpg• Message (fax) from Cedric Price addressed to the IFCCA Prize Coordinator. Source: CPA/CCA

Item 20963 - 443665.png• View from within the Hudson Sleeve. Source: CPA/CCA

Item 20965 - 443667.png• Perspective view looking east from the Hudson River. Source: CPA/CCA

Item 20960.png• Presentation sketch for modification to the Westyard Building. Source: CPA/CCA

Item 20964.png• View of site from south with proposed Hudson Sleeve, laser transmission tower, southern extension to Javits Convention Center and City Sleeve. Source: CPA/CCA

Item 20967.png• View of site with proposed structures (laser transmission tower, Hudson Sleeve, Javits Convention Center South Extension and City Sleeve). Source: CPA/CCAItem 20961 - 443660.png• View of the Hudson Sleeve near the Jacob K. Javits Convention Center. Source: CPA/CCA

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[edit] Archiblog's Ordering

  • "You see it's like a portmanteau—there are two meanings packed up into one word. `I see it now,' Alice remarked thoughtfully..."
  • Carroll, L. (1871) 'Through the Looking-Glass'
Item 26507 Archiblog Blogspot.png

[edit] Notes

In an article in New Statesman entitled 'People's Palaces' Reyner Banham wrote:—

  1. "What sticks in my gullet is the second-rate acceptance of a second-hand building as good enough for the job. At least you cannot say this about Joan Littlewood’s Fun Palace project. She thinks the ‘people’ deserve all-new tackle, and if she believes this for reasons as sentimental as Wesker’s (ever see her in a pub trying to make the local slag come on gay and spontaneous?) a lot of the people aren’t going to argue too hard about her motives. But what is unsentimental—and why the Fun Palace gets my vote—is that she and her architects and tech-men aren’t offering any kind of monument, new, second-hand or any-wise. It really is a kit of parts, and for months now Cedric Price, the architect involved, has been driving architectural journalists mad by steadfastly refusing to release any pictures of what the FP will actually look like. He may well not know, but that doesn’t matter because it is not the point. Seven nights of the week it will probably look like nothing on earth from the outside: the kit of service towers, lifting gantries and building components exists solely to produce the kind of interior environments that are necessary and fitting to whatever is going on.
  2. What matters is that the various activity-spaces inside the FP will not be fossilised in a single architectural schema that may become functionally out of date in five years and is out of fashion already, like Centre 42’s theatre-in-the-roundhouse. They have been assumed to be functionally out of date the moment they are built, and can therefore be changed—not by sliding screens, parish-hall fashion, but by the complete removal and rearrangement of all enclosing surfaces (floors and ceilings as well as walls) and since change is regarded as the normal condition, the largest single installation will probably be the means of change, the gantries that make it possible to lift anything and put it somewhere else. Since there are no exterior walls, the actual enclosed volume of the FP is expected to vary wildly but since it is also to be the first building in Britain with full (not token) mechanical services and environment controls, it is quite possible that many activities will need no more enclosure than a roof over their heads.
  3. Sorry, the word ‘building’ got in there by mistake (old cultural habits die hard). There probably isn’t going to be any building in the normal scope of the concept at all. What there will be—if any current concept really covers the FP proposition—is a gigantic version of the three-dimensional chess they play on long interstellar voyages in science fiction, only any number of unspecified and random players, individuals or groups, can play, competing for optimum environments for whatever kind of knees-up they have in mind. So it may turn out more like one of those vast and inscrutable social games in Van Vogt’s Null-A novels.
  4. It is all a wild, mod dream, no mistake about it, and this is precisely what gives it its meaning." [*]

[edit] Introduction[edit]

Many theorists have defined architecture in terms of ordering, though the interpretation depends on the tradition one draws from.

Some perspectives:

  1. Classical tradition: Vitruvius’ triad (firmitas, utilitas, venustas) implies that architecture is the ordering of form, function, and beauty into a coherent whole. [1]
  2. Rationalist / Structuralist view: Architecture is an ordering system of space, material, and structure — making raw elements legible and inhabitable. Think of Alberti’s emphasis on concinnitas (harmonious ordering). [2]
  3. Modernist view: Le Corbusier often framed architecture as “the masterly, correct, and magnificent play of masses brought together in light” — i.e., ordering form through proportion and rhythm. [3]
  4. Phenomenological / Experiential view: For someone like Norberg-Schulz, architecture is an ordering of space and place to create meaningful dwelling. [4]
  5. Systems / Contemporary view: Architecture can be described as the ordering of relations — between humans, environments, technologies, and information networks. This resonates with Cedric Price, Reyner Banham, or Nicholas Negroponte, who pushed architecture beyond static buildings. [5]

Thus this article argues:—

  • ... that Vitruvius (1st century BCE) and Cedric Price (20th century CE) bookend a paradigm shift in architectural thinking.

If so, then the (research) question is:—

  • What comes next?

[edit]

[edit] References[edit]

https://www.pem.cam.ac.uk/college/about-pembroke/chapel/chapel-history

https://archive.org/details/onartofbuildingi0000albe/mode/2up

https://archive.org/details/onartofbuildingi0000albe/page/n9/mode/2up

https://rtarchitects.co.uk/2023/04/25/vitruvius-basilica-at-fano

https://texnh.tumblr.com/post/184716351146/leon-battista-alberti-san-sebastiano

https://doi.org/10.11588/diglit.1557#0004

http://www.marcointroini.net/architecture/architects/architects_a_b/alberti/sebastiano/

https://smarthistory.org/banqueting-house


[edit] 1 Developing a Central Research Question

[edit] 1.1 Identifying my focus

This thesis starts with a broad topic of interest, namely:—

  • the equation between Human aspirations and the Inanimate.

The preliminary readings I conducted in order to understand the existing research and identify distinct themes are listed in the Bibliography...

They matter because ...

[edit] 1.2 Narrowing down the question

The general equation can be narrowed down to a specific one, namely:—

  • the equation between contemporary social aspirations and architecture

[edit] 1.3 Clarifying terminology

The key terms used in the question are therefore 'aspirations' and 'architecture'.

  • 'They are not defined at this stage - their meanings will emerge through the argument, rather than being presupposed.

The central research question may therefore be expressed provisionally as:—

  • What is missing from the equation between contemporary social aspirations and architecture?

why incomplete?

Item 20944 - 443620.jpg

• Fig.1: Fax from Cedric Price. Source: Cedric Price fonds, CCA.

Item 26482 Anticipating the unexpected.png

• Fig.2: Title page from an article by Cedric Price. Source: AJ.

2. Theoretical premise or hypothesis

In 1996, Cedric Price wrote:—

  • "To establish a valid equation between contemporary social aspirations and architecture it is essential to add to the latter doubt, delight and change as design criteria."

Message (fax) from Cedric Price addressed to the IFCCA Prize Coordinator (document from the IFPRI project records)

  • "The need to equate the involvement of Human aspirations with the form, movement and 'life' span of the Inanimate is still an incomplete equation which requires continuous updating."

  • According to the Canadian Centre for Architecture:—
  • "(Cedric Price) worked from the premise that in order to establish a valid equation between contemporary social aspirations and architecture, it is essential to add to the latter "Doubt, Delight, and Change," as design criteria."

Notes

A theoretical premise is a foundational idea or proposition that serves as the basis for a theory or argument. It is assumed to be true and is used to support further reasoning or conclusions.

[edit] Definition of Theoretical Premise

A theoretical premise is a foundational idea or proposition that serves as the basis for a theory or argument. It is assumed to be true and is used to support further reasoning or conclusions.

[edit] Characteristics of Theoretical Premises

[edit] Nature of Premises

  • Propositional: A theoretical premise is a declarative statement that can be true or false.
  • Supportive Role: It provides the groundwork for developing arguments or theories.

[edit] Importance in Arguments

  • Validity: An argument is valid if the conclusion logically follows from the premises.
  • Soundness: An argument is sound if it is valid and all its premises are true.

[edit] Examples of Theoretical Premises

[edit] Common Usage

  • Syllogism: In a classic example, "All men are mortal" and "Socrates is a man" are premises leading to the conclusion "Socrates is mortal."
  • Assumptions in Research: A research project may start with the premise that "all humans have basic needs," guiding its hypotheses and conclusions.

[edit] Implicit Premises

  • Sometimes, premises are not explicitly stated but are understood. For instance, in the argument about human equality, the underlying premise is that "all men are created equal."

Understanding theoretical premises is crucial for evaluating the strength and validity of arguments in various fields, including philosophy, science, and logic.

3. Methods or analytical framework

modus operandi was to question.

4. Key case studies or material (e.g., IFCCA entries)
5. Core findings or conclusions
6. Contribution to architectural knowledge

[edit] Introduction (first chapter):

Context and motivation (why this topic, why now)
Definition of key terms (e.g., “progressing architecture”, “adaptive environments”)
Literature and precedent review (evolution of discourse since 1972)
Identification of the research gap
Research questions and objectives
Methodological positioning (comparative, historical, theoretical)
Thesis structure overview (how the argument unfolds)

[edit] Notes

Notes

A central research question is a specific question that guides a research project, focusing on a particular issue or problem that the study aims to address. It helps narrow down a broad topic into a manageable area of study and influences the research methodology and analysis.

[edit] Understanding Central Research Questions

A central research question is a key element of any research project. It guides the study and helps to focus the research efforts. Here’s how to develop one effectively.

[edit] Steps to Develop a Central Research Question

  • Identify Your Focus

Start with a broad topic of interest. Conduct preliminary readings to understand the existing research and identify distinct themes.

  • Narrow Down the Question

Refine your broad question into a more specific one. Ensure it is neither too broad nor too narrow, allowing for significant contributions to the field.

  • Clarify Terminology

Define any key terms used in your question to avoid ambiguity.

[edit] Characteristics of a Good Central Research Question

  • Open-Ended: It should not be answerable with a simple "yes" or "no."
  • Neutral: The question should be unbiased and not suggest a particular answer.
  • Clear and Specific: It must be well-formulated to avoid multiple interpretations.
  • Feasible: Ensure that it can be answered within the constraints of time, resources, and available data.

[edit] Examples of Central Research Questions

Topic Central Research Question

Urban Agriculture

To what extent do findings on urban agriculture in North America apply to Dutch cities?

Traffic Management

How has the introduction of tolls influenced traffic distribution and employment accessibility in Cape Town?

Policy Implementation

What factors define interactive policy, and how do they affect the implementation of spatial plans in municipalities?

These examples illustrate how to frame a central research question that is relevant and researchable.

Wikipedia | R Research Online Degrees & Colleges

[edit] Earlier draft of Synopsis

[edit] 1 Developing a Central Research Question

[edit] 1.1 Identifying my focus

This thesis starts with my continuing interest in a broad topic, namely:—

The preliminary readings I conducted in order to understand the existing research and identify distinct themes included:—

  • Price, C. (1966) 'Life-conditioning', AD/10/66.
  • Price, C. (1966) 'PTb', AD/10/66.
  • Dugdale et al. (1969) 'Medikit', AD/10/69.
  • Price, C. ed.(1968) 'Learning', AD/5/68.
  • Price, C. (1970-72) 'Cedric Price Supplement', Nos. 1-5, AD/10/70; AD/1/71; AD/6/71; AD/10/71; AD/1/72.
  • Landau, R. ed. (1972) 'Complexity,' AD/10/72.
  • Mullin, S. (1976) 'Cedric Price: or still keeps going when everything else has stopped', AD/5/76.

A copy of these readings entitled 'Borrowed Titles" was enclosed with my letter to Cedric Price dated 15 October 1977 (see reply - right).

They matter because they provided a basis for this thesis.

[edit] 1.2 Narrowing down the question

The broad topic of architecture can be narrowed down to a specific one, namely:—

[edit] 1.3 Clarifying terminology

The key terms used in the question are therefore 'Architecture' and 'Anticipatory Design'.


The central research question may therefore be expressed provisionally as:—

Item 26600 - CP letter.jpg

• Facsimile of letter from Cedric Price. Source: Norman Fellows fonds

[edit] 1.4 Recognising a formative exchange

In 1977, a brief letter from Cedric Price advised me to “concentrate rather on aims than objects.” The correspondence also noted my “interest” — a term whose ambiguity has, in retrospect, proved instructive. Whether it referred to the my curiosity or to a shared field of attention, this moment established the double perspective that continues to guide the present research, namely:—

  • that architecture may be understood not merely as a production of objects but as a dynamic ordering of interests.

[edit] Outtakes

the incomplete equation between human aspirations and the inanimate identified by Cedric Price. [1]

  • the need to establish a valid equation between contemporary social aspirations and architecture. [2]
  • dated 8 November 1977 [2] St Johns

a term whose ambiguity has, in retrospect, proved instructive.

For example:—

  • If taken as my interest, the phrase is courteous acknowledgment.
  • But if read as Cedric's own (his continuing interest in similar questions), then it signals a reciprocal awareness — a recognition of shared intellectual territory.

therefore 'interest' — which CP appeared to share -

which can be interpreted in the letter as a shared intellectual territory.

CP

"it"

However, the letter contained Cedric's advice, namely:—

  • ...concentrate r

this extract from CP's response to my request for help:—

  • "Cedric has asked me to write to you saying he has noted your interest. As it is so wide he thinks you should concentrate rather on aims than objects and then investigate the validity of the resulting objects." [3]

[edit] Re-writing my Synopsis

[edit] 1 Developing a Central Research Question

[edit] 1.1 Identifying my focus

This thesis starts with a broad topic of interest, namely:—

The preliminary readings I conducted in order to understand the existing research and identify distinct themes began in August 19677

They matter because Cedric Price's entry to the IFCCA project ... the concept of architecture as part of the commons.

1.2 Narrowing down the question

The broad topic above can be narrowed down to a specific one, namely:—

[edit] 1.3 Clarifying terminology

The key terms used in the question are captured in Cedric Price's letter (figure 2). However, they are ambiguous.

Thus the focus of this thesis is the resolution of the ambiguities od the terms used by CP in his letter.

Item 20944 - 443620.jpg

• Figure 1: Fax from Cedric Price. Source: Cedric Price fonds, CCA.

Item 26600 - CP letter.jpg • Figure 2: Facsimile of letter from Cedric Price. Source: Norman Fellows fonds.

The central research question may therefore be expressed provisionally as:—

  • How can the ambiguities contained in CP's letter be resolved?

[edit] Re-writing

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